love for roleplay meets love for literature: 2/??

In Albert Camus’ L’estranger (The Stranger), the realization that one can either ‘shoot or not shoot’ marks the nihilistic realization that to kill or not kill, to die or not die, to execute or to save, are of equal irrelevance in the face of the overarching indifference of life. Time marches on, the world keeps turning, regardless of the decisions an individual makes.

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